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Portrait of Kurt Schranzer, from the catalogue Graduate Diploma of Visual Arts 1990: The University of New South Wales: College of Fine Arts, UNSW COFA 1990, p. 41
Photography: Anthony Potter, © 1990 |
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Above:
Cath Phillips (artist and then president of the Sydney Gay
and Lesbian Mardi Gras) opening the Mardi Gras art show at
Tin Sheds, Faculty of Architecture, University of Sydney,
1991.
Artworks on view by Lachlan Warner and David McDiarmid.
Left detail. The gathering includes Gillian Minervini (on
the left) and Kurt Schanzer (right); artwork by David McDiarmid.
Photography: William Yang, 1991, from the book William Yang,
Friends of Dorothy, McMillan Australia, 1997, pp
84-85.
© William Yang 1997 |
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Work in progress on The Melancholy of Industry, acrylic on panel, 1992
College of Fine Arts, UNSW, Flinders Street campus, c1992.
Photographer: unknown |
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Gitte
Weise and Kurt Schranzer installing the exhibition Dichter-Zeichner
Room 35 / Gitte Weise Gallery, Sydney, September 1997. Photography: Renate Anger (1943-2008) |
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Kurt Schranzer installing the exhibition Dichter-Zeichner
Room 35 / Gitte Weise Gallery, Sydney, September 1997. Photography: Martin Davies |
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Kurt Schranzer installing the exhibition Dichter-Zeichner
Room 35 / Gitte Weise Gallery, Sydney, September 1997. Photography: Martin Davies |
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Opening of the exhibition Dichter-Zeichner
Room 35 / Gitte Weise Gallery, Sydney, September 1997. Photography: Martin Davies |
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Opening of the exhibition Dichter-Zeichner
Room 35 / Gitte Weise Gallery, Sydney, September 1997. Photography: Martin Davies |
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Kurt Schranzer and Gitte Weise with the wall drawing Infinite Network of Hidden Stars, from the exhibition Infinite Nostalgia
Room 35 / Gitte Weise Gallery, Sydney, September 2000
Time-Exposure Photography: Vanila Netto. Digital Enhancement: Kurt Schranzer and John Burge |
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Studio
Self-Portrait
Palm Beach, Queensland, 2006
Photography: Kurt Schranzer |
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Work
in progress on Woven Wall
Dunheved, NSW, March 2008. Photography: Kay Schranzer |
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Work
in progress on Star Walls (The Soul’s Antechamber)
Dunheved, NSW, June 2008. Photography: Kay Schranzer |
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Self-Portrait
with the artwork Processional Wall (RHS panel, work
in progress)
Dunheved, NSW, February 2009. Photography: Kurt Schranzer |
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The artist
at Paul Klee’s grave, Schosshalden Cemetery
Bern, Switzerland, July 2009
I cannot be grasped in this world.
For I live now so well among the dead
As among the unborn.
Somewhat closer to the heart of creation than usual
Yet not close enough, by far
Photography: Ken Patrick |
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Self-portrait
with the pencil study for Metaphysisches Stilleben (Double
Self-Portrait with Rare Orchids), 2010
Studio: Lucretia Ave, Longueville NSW, November 2010. Photography:
Kurt Schranzer |
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Studies of
Uccello’s Vase in Perspective, in preparation
for the ink drawing
Room Perspective with Uccello’s
Vase (The Hall of Mirrors), 2010
Studio: Tahiti Ave, Palm Beach QLD, December 2010. Photography:
Ken Patrick |
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Left to Right: David Eastwood (Associate Head of Painting COFA), Associate Professor Paul Thomas (Head of Painting COFA), and Kurt Schranzer being handcast by Associate Professor Paula Dawson (Senior Lecturer COFA)
College of Fine Arts, Paddington, Sydney, October 2012. Photography: Paula Dawson |
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Lecturing in Drawing at UNSW Art and Design, January 2015. Photographer: unknown |
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Lecturing in Drawing at UNSW Art and Design, January 2015. Photographer: unknown |
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Final over-drawing for Lop-Lop Disguised as Yoshitsune, in the Act of His Eight-Boat-Leap (For Sadahide, Kuniyoshi, and a Young Kunichika), 2015
Studio: Lucretia Ave, Longueville NSW, August 2015. Photography: Isolde Lennon |
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Kurt Schranzer with artist, writer, and lecturer Joe Frost at the opening of Drawing Conversations, 28 September 2016
Raynor Hoff Project Space, National Art School, September 2016. Photography: Alyssa Rothwell
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© Kurt Schranzer 2022
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