Selected artworks from the exhibition 03 December — 21 December 2013
Flinders Street Gallery, Sydney

An exhibition of 12 drawings and 4 Giclée prints (editions of 6).

Although all art might be said to stand in for the artist in some fundamental way some art is inextricably connected to its maker. Max Ernst’s Loplop was a bird-like creature that made recurring appearances in various prints, paintings and collages, and was the narrator of the collage novels La Femme 100 Tetes and Une Semaine de Bonte. Kurt Schranzer’s latest exhibition resurrects Ernst’s alter ego in a sequence of collage drawings that shift between abstraction and figuration. Schranzer’s previous work has in the past included bodies and machine parts but where those works suggested the intersection of flesh and metal Loplop presente Lop-lop is a fascinating excursion through time and space with tightly wound graphs and lines connecting machine elements held at a tense distance. Schranzer works at small scale to create images that suggest the folding and unfolding of space and time as dense curlicues of graph paper swirl into cones, while the visual field is littered with the debris of the surveyor. Schranzer’s world may be obscure but it’s compelling.
Andrew Frost, ‘Loplop presente Lop-lop’, The Art Life, December 6, 2013, http://theartlife.com.au/2013/loplop-presente-lop-lop/
© Andrew Frost 2013


Lop-Lop's Trench Warfare (His Exploding Heart)
2013, ink and collage on paper, 42 x 29.6 cm
Signed and inscribed reverse with title, date, catalogue no. MMLXXXI
Provenance: Collection the Artist
Exhibited: 2013 Loplop présente Lop-Lop, Flinders Street Gallery, Sydney.

© Kurt Schranzer 2013




NOTE: Due to the low resolution of computer screens, the lines of these drawings may present as slightly pixelated. A 'jagged' quality will be particularly evident on some diagonals and curves; fine black ink lines will appear faint and tend towards grey on screen.